Saturday, October 31, 2020

The ACME Eagle Hand Soap Radio Hour (195)





Thank you for joining us today.



Before our feature presentation, ACME would like to start the evening with a special Betty Boop cartoon, the 1933 Snow White, produced by Max Fleischer.



Many believe that Disney was directly inspired to make the film due to the success of the Betty Boop version of the fairy tale. This is somewhat believable, given that the Betty Boop short was released in 1933, the year prior to Disney's adaption coming into development and production.


Before the start of our feature presentation ACME Eagle Hand Soap would like to bring you a brief history of All Hallow's Eve:

Ancient Romans celebrated a holiday called Feralia on February 21. At first it was a simple day off to recover from the holiday of February 20 (Salvia Divinorum), and to take care of last minute shopping before the holiday of February 22 (Salta Boca).



It was, coincidentally, the last day of the year according to the Roman calendar.

Over time it became a sacred day in its own right. It became a festival to honor the dead, and like most Roman holidays it involved some serious drinking. Feralia also resembled most other Roman holidays in that it outlasted the western Roman empire. The jolly men and women of the Mediterranean basin saw no reason to give up the riotous holiday, with all its drinking and orgies, despite countless reminders from an ascendant Christian church that drinking was bad (unless it was Jesus' blood) and orgies were worse.



At last, in the 7th century, Pope Boniface IV decided that the holiday was Christian after all, except that instead of honoring all the dead it should honor only dead saints, that instead of Feralia it should be called All Saints' Day, that instead of drinking and orgies it should be a day of prayer and meditation, and that instead of February 21 it should be observed on May 13.

The good peoples of the Christian world happily accepted the new name and date, but persisted in drinking and vigorous humping. As punishment for this inappropriate enjoyment, Pope Gregory III moved it to November 1, and unwittingly laid the foundation for our modern Halloween.

Hold that thought.



Since as early as the 5th century BC, the ancient Celts had considered October 31 the last day of summer. They called the day Samhain (rhymes with Clamhain), and they believed all the divisions between the world of the living and the world of the dead were dissolved for that brief period. They thought the dead used this window of opportunity to possess the souls of the living, and the thought scared the piss out of them.

A variety of bizarre rituals to ward off the dead accumulated around Samhain over the centuries, including the sacrificial burning of virgins (when any could be found).



When these Celtic rituals collided with the Christian All Saints' Day, all hell broke loose. People didn't know whether they should pray, drink, orgy, burn virgins, or what. They tried a lot of different combination: they got drunk and prayed, they burned virgins and got drunk, they prayed to have orgies and got drunk with virgins, they prayed then got drunk and had orgies with virgins.



Eventually they settled on sending their kids out in silly costumes to ask their neighbors for candy. This was intended to keep them out of the house while the drinking and orgies raged, but since everyone's doorbells kept ringing from everyone else's children, the drinking and orgies gradually faded away.

Of course, this brief outline only traces the development of Halloween as we know it in America. The holiday is still celebrated in countries all over the world in an astonishing number of ways.



In Bulgaria, for example, October 31 is a national holiday called Pazardzhik. In rural districts, children dress up as kitchen utensils and dash from farm to farm tying chickens' feet together. Any unhappy farmer attempting to shoo the children away from his chickens will find himself pelted with manure and glass shards as the children sing playful Pazardzhik carols. In Mexico, the Day of the Dead lasts from October 31 through November 2, which has long been a concern to students of the Mexican calendar. The celebration is a fusion of sixteenth-century Spaniards' All Souls' and All Saints' Days and the Aztec festival honoring Mictecacihuatl, the Aztec goddess of the dead. (Mictecacihuatl was said to have died at birth as the result of complications relating to pronunciation of her name.)



One can't help but marvel at the similarities between the Day of the Dead that arose in Meso-America and Kyrgyzstan's Day of the Very Sick (November 1), Papua New Guinea's Evening of the Emotionally Exhausted (October 31), and Vanuatu's Cardiovascular Appreciation Days (October 31 - November 2).

In Saudi Arabia, October 31 is Sandy Night. As soon as the sun sets, children scamper out into the desert and fill their home-made bags with sand. The holiday is believed to be derived from the ancient Bedouin tradition of sending children out to fill bags with sand.



In Chile, Halloween is infused with ancient Incan traditions. Fretful mothers extinguish the fires in their hearths for fear of attracting Spaniards while naughty children take their parents hostage and demand their weight in chocolate.



In Wittenberg, Germany, October 31 is celebrated as the day on which Martin Luther nailed his 95 Theses to the door of the church in 1517. Many of the town's children frolic giddily about, nailing Theses here and there with impish delight, while others try to catch and burn them as heretics.



Whatever your own tradition, enjoy Halloween.


ACME would like to wish everyone a Spooky Halloween with a special Drive-In double-feature tonight. The programming department has put together a double feature revolving around classical Universal Horror featuring Bela Lugosi and Boris Karloff, a very fun matchup indeed. Tonight we have the 1935 film The Raven and the 1936 film, The Invisible Ray, both from the classic Universal Horror movie cannon. So we would like you to relax (quick, find the most comfortable seat on the sofa,) get a snack (perhaps, some popcorn,) and a beverage and join The ACME Eagle Hand Soap Radio Hour in watching the first film in today's double feature, The Raven.



For the British Board of Film Censors, The Raven was the final straw. Pressure from religious and civic groups and their powerful allies in the press and local government for stronger film censorship resulted in the British putting a ban on all U.S. horror films from 1935 to 1937.


I'm guess we could all use a break, right about now. As you run into the kitchen and get a beverage refill or run into the bathroom and replenish the eco-system, we here at The ACME Eagle Hand Soap Radio Hour want to watch the 1948 Porky Pig/ Sylvester Merrie Melodies cartoon, Scaredy Cat.



This is the first short where Sylvester is given his name, as prior to that he was unnamed (or in the case of Tweetie Pie he was named "Thomas"). This is also the first Sylvester short directed by Chuck Jones.


Our second feature tonight is the 1936 film, The Invisible Ray, again teaming up Boris Karloff and Bela Lugosi. Because of The Raven's themes of torture, disfigurement, and grisly revenge had indirectly led to an alleged ban of horror films in Great Britain, Universal Studios opted for the more science-fiction themed plot of the film. So please join us here at The ACME Eagle Hand Soap Radio Hour and sit back, get comfortable and enjoy watching our second feature this evening, The Invisible Ray.



Like in, The Black CatBela Lugosi plays the hero, in a sympathetic light. Karloff, here again, plays the bad guy and is quite unsympathetic, in contrast to so many films where he added "monster pathos" to make the audience feel sorry for his character, there is none here.


Be careful out there though - you know what, - why not stay inside.



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Wednesday, October 28, 2020

Monday, October 26, 2020

Halfpace




It is a landing, certainly, but not just any landing. It refers to that small landing at the top of a flight of stairs where you have to turn and take another flight of stairs whether going up or down.



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Saturday, October 24, 2020

The ACME Eagle Hand Soap Radio Hour (194)




Thank you for joining us today.


Before our feature presentation, ACME would like to start the evening with another Bugs Bunny Looney Tunes cartoon, the 1953 Forward March Hare, directed by Chuck Jones.



Bugs is unusually characterized rather differently in this cartoon only compared to the other cartoons: here Bugs has been recast as a rather dumb and incompetent but well-meaning rabbit, as opposed to the more intelligent karmic trickster he is usually cast in his other cartoons.


Before the start of our feature presentation ACME Eagle Hand Soap would like to bring you another message from one of our very favorite little old men -



It gives us all a great deal of comfort, knowing that Mel is still alive and well. (He must be eating his fresh fruit.)


We hope you are doing well with your self quarantines - the programming department of The ACME Eagle Hand Soap Radio Hour have been vigorously scrubbing themselves with ACME Eagle Hand Soap - If your eagle's hands are dirty, we'll wash them clean! and sanitizing themselves for your protection. We are also engaged in social distancing - we are communicating with each other via Steganography and hollow coins.

We've picked another entry from the excellent reference book, 1001 Movies You Must See Before You Die by Steven Jay Schneider for today's feature. Today's choice is the classic 1948 John Huston film, The Treasure Of Sierra Madre, starring Humphrey Bogart and Walter Huston (the director's father). The film has been recognized as one of the first Hollywood movies for which most of the shoot took place on location outside the United States. The film is famous for the appearance of two actors in small roles: Robert Blake as a street urchin and (as a joke on her friend Humphrey Bogart,) Ann Sheridan, in a black wig, as a prostitute. As a joke, Sheridan went down to the set and donned the wig to see if Bogart and the other actors would recognize her. During the editing of the film, another bit actress was inserted into the actual shot. So why not sit back and relax (find the most comfortable seat) get a snack and a shot or two of tequila and join The ACME Eagle Hand Soap Radio Hour in watching The Treasure of the Sierra Madre .



Director John Huston had read the book The Treasure of the Sierra Madre by B. Traven, who was a recluse living in Mexico, in 1936 and had always thought the material would make a great movie. Based on a 19th-century ballad by a German poet, Traven's book reminded Huston of his own adventures in the Mexican cavalry. Huston reached out to the writer and Traven approved of the director and his screenplay (by letter, obviously), and sent his intimate friend Hal Croves to the location to be a technical advisor and translator for $150 a week. The general consensus is that Croves was in fact Traven, though he always denied this. Huston was happy not to query him on the subject but his then-wife Evelyn Keyes was certain Croves was the mysterious author, believing that he was continually giving himself away, saying "I" when it should have been "he", and using phrases that were exactly the same as those to be found in Traven's letters to Huston. All very ironic, especially considering that Traven was offered $1000 a week to act as technical advisor on the film. It is known that "B. Traven" was a pen name, and Traven's true identity remains a mystery to this day.



Before you go - here's another ACME PSA:



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Monday, October 19, 2020

Agastopia




Admiration of a particular part of someone's body. The visual enjoyment of the appearance of a specific physical aspect of another.



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Saturday, October 17, 2020

The ACME Eagle Hand Soap Radio Hour (193)

Sorry for the delay in posting


Thank you for joining us today.



Before our feature presentation, ACME would like to start the evening with another Bugs Bunny Looney Tunes cartoon, the 1952 Hare Lift (featuring Yosemite Sam), directed by Friz Freleng.



The animation of the robot pilot and Yosemite Sam opening the parachute is reused animation from the 1940 Merrie Melodies short Ceiling Hero.



Before the start of our feature presentation, ACME Eagle Hand Soap has an exciting travel suggestion for your family, once the pandemic quarantining is over:


Imagine witnessing all that power, from a safe distance for only $3.00!


We hope you are doing well with your self quarantines - the programming department of The ACME Eagle Hand Soap Radio Hour have been vigorously scrubbing themselves with ACME Eagle Hand Soap - If your eagle's hands are dirty, we'll wash them clean! and sanitizing themselves for your protection. We are also engaged in social distancing - we are communicating with each other via yodelling and Bellaso ciphers.

We've picked another entry from the excellent reference book, 1001 Movies You Must See Before You Die by Steven Jay Schneider for today's feature. Today's choice is another masterpiece from the creative team of Michael Powell and Emeric Pressburger, the 1948 technicolor dream - The Red Shoes. Many believe this is the team's greatest achievement, even comparing it to their other magnificent films, The Life and Death of Colonel Blimp, A Matter of Life and Death and Black Narcissus, among them. Film critics often note that The Red Shoes "launched a thousand dance careers." So why not sit back and relax (find the most comfortable seat) get a snack and a glass of champagne (or two) and join The ACME Eagle Hand Soap Radio Hour in watching The Red Shoes. -





This is one of director Martin Scorsese's favorite films and he owns a large collection of memorabilia related to it, including a pair of the red slippers signed by Moira Shearer, a copy of the screenplay signed by directors Michael Powell and Emeric Pressburger, an original set of storyboards (which were a gift from Rolling Stones drummer Charlie Watts), and several movie posters from around the world.



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Monday, October 12, 2020

Umarell




An italian term referring specifically to men of retirement age who pass the time watching construction sites, especially roadworks — stereotypically with hands clasped behind their back and offering unwanted advice.



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Saturday, October 10, 2020

The ACME Eagle Hand Soap Radio Hour (192)



Thank you for joining us today.


Before our feature presentation, ACME would like to start the evening with another Bugs Bunny Merrie Melodies cartoon, the 1952 Rabbit's Kin, directed by Robert McKimson.



This short marks the debut of Pete Puma. Though Pete was originally a one-shot character, his cult-following brought him back for cameos in later spin-off shows like The Looney Tunes Show.


Before the start of our feature presentation, ACME Eagle Hand Soap would like to bring you another Toad Elevating moment:



So remember, don't fear the reaper or Covid-19

We hope you are doing well with your self quarantines - the programming department of The ACME Eagle Hand Soap Radio Hour have been vigorously scrubbing themselves with ACME Eagle Hand Soap - If your eagle's hands are dirty, we'll wash them clean! and sanitizing themselves for your protection. We are also engaged in social distancing - we are communicating with each other via book ciphers and cereal box decoder rings.

We've picked another entry from the excellent reference book, 1001 Movies You Must See Before You Die by Steven Jay Schneider for today's feature. Today's choice is the popular 1948 Howard Hawks' western - Red River. The film's supporting cast featured Walter Brennan, Joanne Dru, Harry Carey, John Ireland, and Noah Beery Jr. (among others.) The film starred John Wayne and in his film debut, Montgomery Cliff. After seeing the film, John Ford reported said,"I never knew the big son of a bitch could act." A great bit of trivia is this is the film shown at the Royal movie theatre during The Last Picture Show. So why not sit back and relax (find the most comfortable seat) get a snack (some chili anyone,) and a beer or two and join The ACME Eagle Hand Soap Radio Hour in watching Red River. -



Howard Hawks was distressed by what he considered John Ireland's unprofessional and lecherous behavior during filming, which were partially due to the actor's alcoholism. This contributed to Ireland's part, "Cherry Valance", being drastically reduced in the finished film. However, others on the film--notably writer Borden Chase - have said that Hawks' main problem with Ireland was that that they were both competing for the affections of Joanne Dru and Hawks found himself on the losing end (Ireland and Dru were married a year later) and took out his resentment at his loss on Ireland.



Before you go - And now an editorial from the United States Postal Service -



Thank you Mr. Newman, friendly neighborhood mail carrier



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Monday, October 5, 2020

Breeches Part




A theatrical role that is regularly or frequently played by an actress in male costume



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Saturday, October 3, 2020

The ACME Eagle Hand Soap Radio Hour (191)




Thank you for joining us today.


Before our feature presentation, ACME would like to start the evening with another Bugs Bunny Merrie Melodies cartoon, the 1952 Oily Hare, directed by Robert McKimson.



Bugs makes a joke about his home is his "little gray hole in the West" is a pun on the title of the sentimental 1911 wartime song Little Grey Home in the West.


Before the start of our feature presentation, ACME Eagle Hand Soap Radio Hour would like to bring you another Toad Elevating moment:



(While you're listening to this, I'll be in CT watching The Machine in Westport.
 

We hope you are doing well with your self quarantines - the programming department of The ACME Eagle Hand Soap Radio Hour have been vigorously scrubbing themselves with ACME Eagle Hand Soap - If your eagle's hands are dirty, we'll wash them clean! and sanitizing themselves for your protection. We are also engaged in social distancing - we are communicating with each other via coded messages in the New York Review of Books and maritime distress signals .

We've picked another entry from the excellent reference book, 1001 Movies You Must See Before You Die by Steven Jay Schneider for today's feature. Today's choice is a little seen 1948 film from China - Spring in a Small Town (Xiao cheng zhi chun) by Fei Mu. Although the film was rejected by the communist party at its premiere as being apolitical and therefore reactionary, the film has now been seen as one the the masterpieces of postwar Chinese cinema. The film is a portrait of female desire and subjectivity that ranks alongside Brief Encounter by David Lean. So why not sit back and relax (find the most comfortable seat) get a snack (dim sum anyone,) and a beer or two and join The ACME Eagle Hand Soap Radio Hour in watching Spring in a Small Town (the print is not great but please stick with it.) -



State censors at the time of its original release were suspicious of the film’s refusal either to romanticize the lives of ordinary people, or to make two-dimensional fools of the property-owner classes. Instead, they arched their eyebrows over what they called the film’s “narcotizing effect,” and withdrew it from distribution.



Before you go - And now an editorial from PBS NEWS HOUR -



That was a lot easier to take


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